The performance takes place in a room with two doors.
The first one aimsto welcome inside the space and allows exclusively the entry, opposed to the other one, that takes out and allows the exit. The performer is a regular person that has the peculiarity of running with dynamism in static space. The audience is divided into two and presents deeply different characteristics: the ones contained inside of the room, the static space, are waiting with trepidation for the arrival of the performer  while the others, who are most often just casual bystanders, assist to the performance by chance, with no expectations whatsoever. On his way back, the internal public can hear the performer’s footsteps precede his arrival to the scene. The two spaces are pervaded by fundamentally differing auras: in the first one the wait of the public can be perceived in the air, whereas the second one is immersed in the surprise of the unexpected arrival or disappearance of the artist.
The actions of the performer are comparable to the ones of a dog biting its own tail, a conflict he’s having with his own self, he’s at loss as he frantical- ly leaps from one space to the other, without ever finding a place he truly belongs to. The body is truly exhausted of its energies and the loop reaches its climax when the performer has no more vitals resources to hold on, forced by his own stamina to halt into one of the stops, concluding the performance.
If he ends up on the external space, the audience in the room will be waiting endlessly without ever seeing the face of the performer.
Peculiar it is that the representation doesn’t have a preestablished length, it is all given by the physical endurance of the performer, varying from subject to subjects, as well as the days.